Georg Mühleck Artist

"mind bunker #8 (room 24 with cochlea walls)" 1999 Lysonic ink on Rough Fine Art paper 42x59,4cm

"sTEAmulus pond 2: Subculture 2" 2008, UltraChrome archival pigment on Arches Infinity Textured 54x74cm

“(Remote) Mind — The strangers are still me” Video installation by Barbara Rauch and Georg Mühleck, music by Karin Krog; 2006 Undercroft, Stephen Lawrence Gallery, London UK

Kelpie 11b in situ (lab) 2007

“Cellular Beauty Mini-Lab” 1993/2001

“fluid 13(k)” 2021/22, Archival pigment on Hahnemühle Photo Rag, 55,5 x 42,0 cm

"caspecies 9A" (studio setup) 2015, Archival pigment on Arches 151 x 108 cm

“hippoCAMPus” 1998, 15 tents; print on fabric, Galerie Manfred Rieker

“princess” 1989, Ilfochrome 142 x 127 cm

bin data (still#59) 2001 - video 10:29min

“sei 2” and “sei 1” 2002, UltraChrome K3 archival pigment on Arches 61 x 45,4 cm

“Cellular Automata, chessmen” 1997, 32 Ilfochromes in programmed light boxes; Justizvollzugsanstalt Schwäbisch Hall

“Cellular Automata, chessmen” 1997, Ilfochrome/Plexiglas, JVA Schwäbisch Hall; architect Hansjörg Engelmann

“Life rules over historic ground” 2004, The New Royal Infirmary of Edinburgh, UK

Subtle Technologies Conference + workshop with Oron Catts, University of Toronto 2007

“caspecies dishes on table” 2014, Archival pigment on Fine Art paper, shaped

“inked kelpie 12b” 2018, archival pigment on hot press natural fine art paper 108 x 77 cm

“voices singing across the water (caspecies 9)” 2017, Archival pigment on Hahnemühle photo rag

“planet on the table” 2020, archival pigment on Epson enhanced matte paper 100 x 182.5 cm, wooden support — collaboration of Barbara Rauch + Georg Mühleck

“(beautiful) data dump: information table” 1991, C-prints, Umatic video

“(beautiful) data dump: part 1950” 1991, thermal video print UP 5000

“Screen Heads” 1993, 85 Silkscreen Prints (detail of installation with sound by Pierre Dostie)

“match ID” (ID 1) 1993, box with 9 puzzles 29,7 x 21 x 29,7 cm each, toner transfer on heavy board

“stranded kelpie 29” 2020, archival pigment on Hahnemühle 162 x 108 cm

“primordium of ink 05” 2020, archival pigment on Hahnemühle Photo Rag 56.4 x 37.7 cm

“The painting professor: pirate art process #...” (PP360) 1988, digital thermal copigraphy CX-5000, 28x21.5cm each

“The painting professor: pirate art process PP370” 1988, laminated Copigraphies CX-5000

"fluid 14(k)" 2021, archival pigment on Hahnemühle 79 x 61 cm

“staged caspecies 11” (from 2 groups of seven) 2015, Archival pigment on Canson 108 x 77 cm

"swaying differentiated dish 2" 2011, archival pigment on Canson, facemounted onto 10mm Plexiglass Ø 84,6 cm

“music feedback” 1994, Cibachrome/Plexiglas, Musikschule Neckarsulm, architects Bechler-Krummlauf

"The Pirate Art Process" digital thermal prints CX 5000, Galerie Rahmel, Köln 1990

“Untitled (Cloridorme #4)” 1986, 122 x 160 cm, Copigraphy RX 6500 on 100% cotton paper

"horizontal transformation of...?" 1982, Oil pastel on Arches 77 x 57 cm

“Copies of nothing in Oct.1982 (Opera grey)” Copigraphy RX 6500, transfer and print on cotton paper, attached to Arches 57 x 77 cm

“Copy of nothing in October 1982 or: the air of the gallery #1-13” Copigraphy RX 6500 attached to Rives 77 x 57 cm

“Fünfzehn Weichspiegel-Sandwiches” 1981, Oil Pastel on tissue, polyester wadding, aluminum foil, 82.5x95.5cm

“Signal” 1981, oil pastel on tissue, plastic film, polyester wadding, aluminum foil, 68.5 x 91.5 cm

“Five vertical sandwiches” 1981, oil pastel, polyester wadding, rope, plastic film, aluminum, 175 x 180 x 123 cm, Galerie Motivation V Montréal

Assembling CA elements (concept for peripheral series) 2010

"Peripheral alive platter#7 CA30" 2010, archival pigment on Canson 73,6 x 108 cm

“Enemat” 2007, Ilfochrome/Plexiglas/stainless steel, 15 parts ca. 640 x 390 cm

“Polymat” 2006, Ilfochrome/Plexiglas mural 667 x 120 cm, Fraunhofer Gesellschaft; architects K.Lehmann, M.Schneider

“Memory-Schiff” 2000, Ilfochrome/Plexiglass, stainless steel, 24 Ilfochrome parts, sealed behind Plexiglas, stainless steel bars, approx. 430 x 660 cm, Mortuary chapel of Untergruppenbach Cemetary

“armed arm” 1992/93, Ilfochrome 143 x 120 cm

“Untitled (light #2)” 1987, 69.7 x 106.3 cm, Copigraphy RX 6500 on 100% cotton paper

“copyman” 1989, Cibachrome 198 x 127 cm

“mind bunker #11” 2000, Translucent C-Print in tray 31.5 x 43.5 cm

“mind bunker #1” 1999, Lysonic on Rough Fine Art paper 42 x 59.4 cm

“ossified on devil’s footprint (kelpie 10)” 2019, archival pigment on Hahnemühle 108 x 162 cm

NEW PUBLICATION / NEUERSCHEINUNG
Georg Mühleck "Cultivated Algorithms"
Nature and artificial creatures / Natur und künstliche Wesen; German / English
Hardcover, 280 Pages, 220 images.
Published in Feb. 2026

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This archive presents works of art spanning over four decades. During the 1980s analogous works were created. From the beginning of the 90s, realizations follow that focus on processing and themes in the digital realm.

     Dieses Archiv präsentiert Kunstwerke aus über vier Jahrzehnten. In den 1980er Jahren sind analoge Werke entstanden. Ab Anfang der 90er Jahre folgen Realisierungen, die sich auf Verarbeitung und Themen im digitalen Bereich konzentrieren.

GEORG MÜHLECK archive