Georg Mühleck Artist

“(beautiful) data dump — part 18” 1991, thermal print UP-5000

“Exposed Eye” (hippoCAMPus series) 1998, print on fabric, poles, rope

Part of “Enemat” 2007, Ilfochrome/Plexiglass, stainless steel

“caspecies 16” 2015, archival pigment on Canson

“The painting professor: pirate art process PP370” 1988, laminated Copigraphies CX-5000

“Light Signal” 1986, Copigraphy RX 6500 on cotton paper

“Cellular Cultures (T)” 2009, artistbook, archival pigments on Moab

“caspecies 24” 2015, archival pigment on Canson

“mind bunker #8” 1999, Lysonic on Rough Fine Art paper

“(Remote) Mind — The strangers are still me” Video installation by Barbara Rauch and Georg Mühleck, music by Karin Krog; 2006 Undercroft, Stephen Lawrence Gallery, London UK

“match ID” 1993, 9 puzzles

“Cellular Automata, chessmen” 1997, 32 Ilfochromes in programmed light boxes

“Plastic coated triptych” 1981, Oil Pastel on tissue, polyester wadding, plastic film

“copyman” 1989, Cibachrome 127 x 198 cm

“armed arm” 1992/93, Cibachrome

“hippoCAMPus” 1998, 15 tents; print on fabric, Galerie Manfred Rieker

“(beautiful) data dump: information table” 1991, C-prints, Umatic video

“rising horizon — copies of nothing” 1984, copigraphy RX 6500

“Signal” 1981, oil pastel on tissue, plastic film, polyester wadding, aluminum foil

“engram tracker #4” 1999, Lysonic on Rough Fine Art paper

Part of “Enemat” 2007, Ilfochrome/Plexiglas, stainless steel

“Enemat” 2007, Ilfo/Plexi/stainless steel, Fraunhofer Gesellschaft; architects K.Lehmann, M.Schneider

“Manual for doubting artists” 1988, artistbook

“Copies of nothing in Oct.1982 (Opera grey)” Copigraphy RX 6500

“Cellular Beauty Mini-Lab” 1993/2001, parts of Edition Lorenz & Co.

“mind bunker” 2000, backlit translucent C-Prints, acrylic trays

“mind bunker #1” 1999, Lysonic on Rough Fine Art paper

“caspecies 8 triptych v1C" (detail) 2015, archival pigment on Canson

“Emotive Recall” video installation by Barbara Rauch + Georg Mühleck, Wrexham Arts Centre, UK 2003

“Untitled Cloridorme No 4” 1986, Copigraphy RX 6500

“Materialfeld-Verschiebung I” 1981, Oil Pastel on tissue, polyester wadding, aluminum foil

“music feedback” 1994, Ciba/Plexi, Musikschule Neckarsulm, architects: Bechler-Krummlauf

“Fünfzehn Weichspiegel-Sandwiches” 1981, Oil Pastel on tissue, polyester wadding, aluminum foil

"The Pirate Art Process" digital thermal prints CX 5000, Galerie Rahmel, Köln 1990

“princess” 1989, Cibachrome

“Chopped book” 1990(?), artistbook

“pirate digest” 1989, artistbook

“(200) views for ID match” 1994, paper objects, University of Hamburg

“sei 2” and “sei 1” 2002, archival pigment on Arches

“I want you, I need you, I love you” 1990, giclée, aluminum

“connect 3 — subculture 2+3” 2004/2009, archival pigment on Arches

“sTEAmulus pond 2” 2008, archival pigment on Arches

“Life Space and Simulation” 1999, Ilfochrome mural, Stadtsiedlung Heilbronn

“sTEAmulus pond: Subculture 1” 2009, archival pigment on Arches

“Five vertical sandwiches” 1981, oil pastel, polyester wadding, Galerie Motivation V Montréal

“Memory-Schiff” 2000, Ilfochrome-Plexi, cemetery Untergruppenbach; architects Bechler-Krummlauf

“Thinking with tea, my deer” 1998, print on fabric, poles, rope

“74 degree shower diptych” 1981, oil pastel on PVC

“State of soul, state of mind” Copigraphy RX 6500, Goethe House New York 1988

“mind bunker #11” 2000, Translucent C-Print in tray

“humanimal” pirate art process 1990, Digital-thermal film overlay CX5000

“mind bunker #13” 2000, Translucent C-Print in tray

“Copy of nothing in October 1982 or: the air of the gallery #1-13” Copigraphy RX 6500

“All Neighbours Normal I” 1990-93, Cibachrome 120 x 160 cm (disappeared in Montréal)

“match-ID” 1993, 9 puzzles

“Chinchilla auditory container” (hippoCAMPus series) 1998, datagraphy

“connect 1+2” 2004-2008, archival pigment on Arches

“cues for — #1” 2007, archival pigment on Saunders

“daydreaming armchair” (hippoCAMPus series) 1998, datagraphy

“detector of darkness” (hippoCAMPus series) 1998, datagraphy

Part of “Enemat” 2007, Ilfochrome/Plexiglass, stainless steel

“excerpt of new bark” 2006, Lysonic on Rough Fine Art paper

“exposed eye 1” 1998, Lysonic on Rough Fine Art paper

“Generator around crystals” 1993, CLC prints, aluminum

“Five heat fields” 1993, viable data

“Heat sources diptych” 1993, CLC prints, aluminum

“9 heat squares” 1993, viable data

“M6-heat test region” 1993, C-Print

“hippoCAMPus” 1998, 15 tents; print on fabric, Galerie Manfred Rieker

(unknown title1) 1982, Oil pastel on Arches

“impromptu infiniTEA” 2012, archival pigment on Arches

“isomorphic topography 4, subculture 1” 2007, archival pigment on Arches

“language islands” 1995, CLC print transfers onto alucobond

“Life Space and Simulation” 1999, Ilfochrome, Stadtsiedlung Heilbronn; architects: Meister & Wittich

“M4-mind control” 1993, C-Print

“Memory-Schiff” 2000, Ilfochrome/Plexiglass, stainless steel, cemetery Untergruppenbach

“Metasystem transition: subculture 2” 2009 , Archival pigment on Arches

“mind bunker #7” 1999, Lysonic on Rough Fine Art paper

“The painting professor: pirate art process #...” (PP360) 1988, digital-thermal copigraphy CX-5000

“Horizontal transformation of one element (No.J)” 1982, oil pastel on Arches

“Peripheral Kinetics” 2011, archival pigment, Plexiglas, Galerie Manfred Rieker

“Polymat” 2006, Ilfochrome/Plexiglas, Fraunhofer Gesellschaft

“Polymat” 2006, Ilfochrome/Plexiglas, Fraunhofer Gesellschaft; architects K.Lehmann, M.Schneider

“Cellular Automata, chessmen” 1997, Ilfo/Plexi, JVA Schwäbisch Hall; architect Hansjörg Engelmann

“Screen Heads — All Neighbours Normal (in the end)” 1993, CLC prints, aluminum

“Screen Heads” 1993, 85 Silkscreen Prints (detail of installation)

“All Neighbors Normal I” 1990-93, Cibachrome

“blueprint” 2007, archival pigment on Somerset

“spikes from the dark box (#5)” 2006, archival pigment on Saunders

“sTEAmulus pond — Subculture 5” 2009, archival pigment on Arches

“sTEAmulus pond 2 — Subculture 2” 2008, archival pigment on Arches

“african feedback series” 1990-1991, thermal video print

“mind bunker #14 tray” 2000, Translucent C-Print, acrylic tray

“Cellular Automata, chessmen, reflectors” 1997, Ilfo/Plexi, JVA Schwäb. Hall; architect H.Engelmann

“mind bunker (there’s someone in my head, but it’s not me)" 2000, backlit translucent C-Prints, plexiglas trays, Wrexham Arts Centre, Wales UK

“M4-two langton” series ‘Screen Heads’ 1993, C-Print

“swaying differentiated dish 2” 2011, archival pigment, Plexiglas

“Untitled reflectors No.4” 1987, Copigraphy RX 6500

“(beautiful) data dump: part 1950” 1991, thermal video print UP 5000

“Life rules over historic ground” 2004, The New Royal Infirmary of Edinburgh, UK

“connect 1: subculture 1” 2004/2009, archival pigment on Arches

“two hatchet in wonderland” 1989, copigraphy CX5000

“Untitled Cloridorme No 6” 1986, Copigraphy RX 6500

“Cellular Automata, chessmen: pawn R6” 1997, Ilfochrome/Plexiglas

“16 x 2000 ccm of nothing” 1985, Copigraphy RX 6500

“knowledge & Camillo’s memory” 1998, print on fabric (tent)

“(200) views for ID match” 1994, paper objects in colour offset/copigraphy



The 21st century’s complex reality — a subtle combination of physical and virtual components — makes a lot of things in the world appear surreal. The terms ‘truth’ and ‘reality’ need to be reconsidered and redefined.
This archive presents works of art spanning over three decades. The running slideshow is just a preview of the archive. You can find a detailed collection under “artworks” and “public art”.
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Die komplexe Realität des 21. Jahrhunderts — eine subtile Kombination aus physischen und virtuellen Komponenten — lässt so Manches auf der Welt surreal erscheinen. Die Begriffe ‘Wahrheit’ und ‘Realität’ müssen überdacht und erneut definiert werden.
Dieses Archiv präsentiert Kunstwerke aus über drei Jahrzehnten. Die laufende Dia-Show ist lediglich eine Vorschau des Archivs. Sie können eine umfassende Sammlung unter “artworks” und “public art” finden.